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Lights, camera ... courtroom action


21st July 2005, The Scotsman


IT WAS heartening to read this week that the Lord Advocate, Colin Boyd, is calling for more court cases to be televised.


His rationale is to help the public understand how the justice system works. By televising court hearings, he believes this would increase transparency and reassure the public over sentencing. The problem is that, while he would like to see more cameras court, he has a real issue about actual trials and witnesses playing to the camera. Rather than following the US model, where televised court cases can become media circuses, he is in favour of televising appeals.


He cites the broadcast of the 2002 appeal of Lockerbie bomber Abdelbaset Ali Mohmed Al Megrahi as a shining example of acceptable broadcasting of what takes place in court and thinks other cases could follow suit.
It may be acceptable for the courts and for the proper administration of justice, but for the general public, appeals are about as exciting as watching paint dry. Convoluted legal arguments, citing legal precedents and discussions on admissibility of evidence are not going to educate the public on the transparency of the courts. They will pick up their remote controls and change channels.


The public want the mundane household disputes of Judge Judy, which they can relate to and the show trials that they see on their TVs. They want Ally McBeal and Murder One . They have had their appetite whetted by the likes of the OJ Simpson trial, as close to the Hollywood ideal of law in practice as you can get. But that is not going to happen in Scotland. There is more to justice than mere transparency.
So how do you bring the courts to the people? One obvious way is the documentary rather than live coverage. But even documentary-makers face an uphill struggle when it comes to televising the courts. Take for example Lion Television, who had been authorised to film a documentary at Glasgow Sheriff court provided they followed certain guidelines. The rules which Lion had to follow included: obtaining the prior consent of the trial sheriff, which the sheriff could later revoke or qualify; the agreement of the Procurator Fiscal and the defence agents; the consent of all those who were to be filmed was required, whether or not they were to be named in the documentary, including the clerk of court, court officer and shorthand writer, the accused, his counsel and solicitors, witnesses, jury members and police officers appearing in any capacity.


Having fulfilled its criteria and having passed the tape to the BBC to broadcast the film, a woman who had previously consented to being filmed in the documentary obtained an interdict through the courts to stop her being identified. How ironic - a programme that would have done just what the Lord Advocate wanted refused airtime by the courts. That will reassure the public!